Chris Kraus examines artistic enterprises of the past decade that reclaim the use of lived time as a material in the creation of visual art. In Where Art Belongs. Where Art Belongs (Semiotext(e) / Intervention Series) Paperback – January 21, Chris Kraus examines artistic enterprises of the past decade that reclaim the use of lived time as a material in the creation of visual art. In Where Art Belongs, Chris Kraus examines artistic. Where Art Belongs (Semiotext(e) / Intervention Series). Chris Chris Kraus, one of our most innovative art critics, who is also one of our best fiction writers, now.
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Where Art Belongs book. Read 21 reviews from the world's largest community for readers. Where Art Belongs Chris Kraus examines artistic enterprises of th. Booktopia has Where Art Belongs, Volume 8 by Chris Kraus. download a discounted Paperback of Where Art Belongs online from Australia's leading online bookstore . Free Download Where Art Belongs Chris Kraus PDF File at our ebook Library. Filename: Where Art Belongs Chris Kraus. 1/3. WHERE ART BELONGS CHRIS.
She has a finely tuned radar for the political economy of art worlds, which is a distinctive hum in the background of the otherwise well oiled machine of the prose.
While not ignorant or faux ignorant of the Artworld, there's a certain studied indifference to it. What matters in the long run is whether art is a rubric under which somebody did something interesting; for, with or to anybody else.
If they made a living off it without being assholes about it, well good luck to them, but that's a tangential story.
So in this book we get post-post-punk angelinos, sex worker art works, a tribute to an artist who sailed away off the edge of the world. There's also Bernadette Corp at Green Naftali tres chic! It's about public art movements which sounded great but the projects she selected just seem really haphazard.
I liked some of the stuff about Guattari, and there were some interesting ideas about how 'women's lib' became de-politicized and de-radicalized when it became known as 'feminism' Chapter 1 and 6 ruled though. May 15, Jamie Gaughran-Perez rated it liked it This book is an odd read, with some great moments. It's odd too read so much about art you aren't seeing or don't have first-hand knowledge of.
Of course, I coulee just Googled all the pieces and people but didn't It resulted in a floating conceptual discussion, my mind casting across concepts and linking them to things I cared about.
It felt that I was standing outside of "the know" or on the outside of an inside joke, but it This book is an odd read, with some great moments.
It felt that I was standing outside of "the know" or on the outside of an inside joke, but it didn't matter. This is typical Kraus: her style is effortless, but deliberate, artful, colloquial, efficient — in other words, the antithesis of academic. She and Sylvere are long-married and no longer have sex.
Then the real fun begins. Her fervid, intellectually arousing crush on Dick spurs her to think of every aspect of her life until that point in a different light; she writes to him about her revelations, using him mostly as a receptacle for her ideas.
The final page of the book is so shocking, I still wince every time I read it, and I walk around in a rage for the rest of the day. When I give the book to a friend to read for the first time, I tell her to text me when she arrives at this page.
The responses never disappoint. So why is this revolutionary year-old book finding its biggest audience only now?McKenzie Wark.
Kraus is a competent, conversational stylist, and her casual tone helps disarm what could be intimidating obscurity in the artists she discusses. I suspect that part of that may come from the fact that [Kim], like me, comes to the culture from the outside. And whether it comes from Deleuze or good old American pragmatism, this approach tends to be affirmative and practical: instead of endlessly critiquing, you do something about it.
Jul 23, Sarah rated it it was ok This book just didn't flow at all.
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